Audio Rental

Zoom F8 Audio Recorder

features eight analog input channels with lockable XLR/TRS combo jacks that provide +75 dB maximum input gain, and support for +4 dB inputs with an EIN of -127 dBu or less. It can record up to 10 tracks simultaneously (channels 1-8 plus a stereo mix), or up to eight channels when recording at the A/D converter’s maximum 24-bit 192 kHz resolution.

Lectrosonics Wireless Lavaliers UCR201 UM200C

Lectrosonics UCR201 Wireless Receiver Features The Lectrosonics UCR201 wireless receiver provides professional performance and a versatile feature set in a mid-priced wireless microphone system. The design offers a compact package for camera mounted applications in ENG and in “bag systems” for field production and location recording. The UCR201 is compatible with all 200 Series Lectrosonics transmitters. 256 selectable frequencies over a 25.6 MHz bandwidth in standard frequency blocks defined by Lectrosonics (see specifications). The user interface is a multi-function LCD display that provides a variety of windows for setup and operation. The main window provides full system operating information including transmitter and receiver battery levels, RF and audio levels and diversity antenna state. Other windows provide frequency and level settings and a unique spectrum analyzer. The spectrum analyzer will automatically tune the receiver across its entire band width and display the results in a scrollable window to identify signals that are present and locate clear operating channels.

Lectrosonics UM200 Wireless Transmitter Features The Lectrosonics UM200 transmitter is a high performance synthesized UHF design that offers the frequency agility needed to alleviate interference and frequency coordination problems in traveling applications. Interference caused by television broadcasts and other radio equipment can easily be avoided with 256 available frequencies selected in 100kHz steps with two rotary switches on the side panel.

Sennheiser EW100 Wireless Lavaliers

Frequency A (518-554 MHz)

EM100 G2 Receiver

SK100 G2 Bodypack Transmitter

Clip-On Lavalier Mic

1680 Tunable Frequencies Across 42 MHz

Auto Frequency Scan Finds Open Bands

3 Level Squelch To Block Interference

20 Banks With 12 Channel Presets Each

Compander for Clearer Sound

Sennheiser MKH 416

The MKH 416is a short shotgun interference microphone optimized for outdoor applications & designed for recording audio in film, radio, and television. It offers excellent directional control in a compact design with high consonant articulation and rejection of feedback. The unit is highly immune to humidity because of its RF condenser design. It operates as a hypercardioid at low and medium frequencies with a lobar pattern above 2 kHz.

Sennheiser ME 66 Shotgun Microphone

The ME 66 is a shot gun microphone capsule designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments. Matte black, anodized, scratch-resistant finish.

Windjammer & Boom Pole Available

Whirlwind PRESSMITE – 1 Line Level or Mic Level Input to 12 Mic & 2 Line Outputs

( Active Press Patch Box )

The PRESSMITE features a built-in headphone amp, DC power supply operation for enhanced portability and can also be powered by a pair of standard 9V batteries that typically provide more than 8 hours of continuous operation. A Battery OK LED is also provided for monitoring. In MIC input mode, 18V phantom power is available, and the 3-segment LED headroom display enables quick level adjustment.
Featuring high isolation between outputs. It provides 60 dB of gain adjustment on input, which accepts mic or line level signals.

Sound Devices 442 Mixer

Lundahl transformer-balanced mic or line-level inputs on XLR connectors Transformer-balanced line/tape/mic level output on XLR connectors

Continuously adjustable input trim

Variable high-pass filter Continuously variable pan control

Phantom (48-volt or 15-volt) or “T” microphone powering selected per channel

Solo (PFL) channel monitoring in headphones
Peak limiters per channel

Direct outputs on TA3 locking connectors

Transformer-balanced line/tape/mic level output on Hirose connector

Balanced line or tape level output on TA3 locking connectors

Un-balanced TRS-stereo tape level output on 1/8-inch connector

Un-balanced TS-mono mic level output on 1/8-inch connector

Sunlight-viewable LED meters with proprietary software-selected ballistics

On-board MS stereo matrix, channels 1 and 2

Two independent monitor return inputs for monitoring two-camera productions

Push pots for setup features keep front panel clutter-free

Compact 6061 aluminum chassis

Powered by four AA batteries or external 5 – 18 VDC Specifications

Sound Devices 302 Mixer

Lundahl transformer-balanced mic or line level inputs on XLR connectors

Continuously adjustable input trim

Two-position high-pass filter

Pan switches

Limiters on inputs and outputs

Stereo and MS linking of channel 1 and 2

Phantom (48 V or 12 V) or “T” microphone powering selected per channel

Solo (PFL) channel monitoring in headphones

Peak limiters per channel

Tape level output on TA3 locking connectors

Active-balanced line/tape/mic level outputs on XLR connectors

Stereo tape level output on TA3 connector

Return input for monitoring

Channel 4/5 input option

Sunlight-viewable LED meters with proprietary software selected ballistics

On-board MS stereo matrix

Push pots for setup features to keep the front panel clutter-free

Durable extruded aluminum chassis

Weight less than 1 kg with batteries

Powered by three AA batteries or external 5 – 18 VDC

Allen & Heath 14-4-2 Mixer

Versatile 6×2 matrix

Dual stereo channel routing modes

Improved preamp design

More responsive EQ

Channel phantom power switches and indicators

User friendly aux sends and direct outputs

XLR lamp socket

Syslink options

Pluggable jumper links

Universal rack or desk mount

Separate internal power supply

Dual redundant power supply connector

Mic/line balanced I/O

Pre-EQ aux for pre-insert, post-mute

Mackie 24.8 Mixer

24-Channel 8-Bus Analog Recording Console

Mackie’s ultra-quiet, high headroom mic preamps on every channel (with phantom power for use with condenser mics)

Loads of outputs for easy multitracking • True 8-bus operation

100mm log-taper faders for consistently smooth fades

EQ: Full parametric Hi-Mid w/separate band center & “Q” controls, swept Lo-Mid, and Hi & Lo shelving EQ • Low Cut Filter (18dB/octave @ 75Hz) on every channel

6 stereo (2 assignable) Aux Returns • Extensive routing capabilities

Yamaha MSP3 Self-Powered Speakers

The MSP3 Powered Monitor Speaker is a 2-way powered monitor speaker system that delivers quality audio and excellent cost performance. To facilitate connection with a variety of audio sources, each monitor is equipped with a balanced XLR input, for direct compatibility with professional equipment, a balanced phone jack input and an unbalanced RCA jack input. The MSP3 also features separate volume controls for the LINE 1 (RCA jack) input and LINE 2 (XLR/phone) input plus HIGH and LOW tone controls for sound tailoring.

JBL 4312 Control Room Speakers

The 4312SP Powered Subwoofer provides powerful bass performance extending frequency response of the system into the 20Hz region. When networked with LSR4300 Studio Monitors, the LSR4312SP Sub provides revolutionary capabilities including JBL RMC™ Room Mode Correction technology to ensure accurate mixes in any room.

JBL Eon 15 G2 Self-Powered Speakers

The second generation of one of the most successful and influential professional speaker systems ever

15 in Differential Drive® low-frequency driver with dual neodymium magnet for light weight and reduced distortion.

1 in (throat diameter) JBL compression driver with 1.75 in titanium diaphragm and ferro-fluid cooling

300 W low-frequency and 100 W high-frequency (bi-amplified) – actual power delivered to the drivers

Built in 3-input mixer. One balanced mic/line input, two .25 in phone line-level inputs. Two-band equalization.

Balanced loop-through/mix output. “Daisychain” additional EON speakers or send the mixed output to a mixing console.